Monroe County Region high school sports roundup for Monday, May 11

NEW BOSTON – Make it three straight for the Chiefs.

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New Boston Huron wrapped up its third consecutive Huron League championship in girls soccer.

Coach Matt Lividini’s squad has been completely dominant during that stretch with a 29-0-1 record with 23 shutouts.

A 7-4 victory over Airport on Monday, May 11, gives Huron a 10-0 record with season with 66 goals scored and just 6 allowed.

More:Guess, Bedford capture titles at Monroe County Golf Championships

Malaya Singer and Miley Skamiera scored three goals each with Skamiera pushing her school-record total for the season to 38.

Avery Turk contributed a goal and three assists and Maggie Mentzer also was credited with an assist. Freshmen Lillie Susewitz and Evanne Murray stood out on defense.

New Boston Huron's girls soccer team poses with the trophy after beating Airport 7-4 to wrap up its third consecutive Huron League championship on Monday, May 11, 2026.

MONDAY’S TOP PERFORMERS

Steel Decator and Cameron Cole, SMCC: Combined for 26 strikeouts and no walks while giving up a total of five hits during 5-0 and 3-0 shutouts of Milan. “One of the best pitching performances in a doubleheader I have witnessed,” St. Mary Catholic Central coach Jared Janssen said. “Both pitchers controlled the strike zone and were able to do whatever they wanted.” Lukas Linzell had three hits to lead the offense.

Jayden Yancy, Flat Rock: Fired a 1-hit shutout in a 10-0 win over Grosse Ile. Jordan Godfrey, Alex Barron and Evan Szalay collected two hits apiece.

Zayne Emch, Whiteford: Recorded two hits and a save in a 6-5 victory over Swanton. Jake Scott earned the pitching win for the 16-5 Bobcats, Luke Henegar homered and Brody Masters also had two hits.

Cash Moczydlowsky, New Boston Huron: Racked up 16 strikeouts while twirling a 2-hitter in a 4-1 verdict over Riverview. Aiden Sainato and Dominic Russo led the offense with two hits each and Noah Banas drove in a pair of runs.

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Olivia Tilley, Airport: Delivered three hits to spark a 12-2 conquest of Flat Rock. Brityn Duffy homered and finished with two hits along with Brooklyn Martin and Jillian Baker. Julia Dyson earned her ninth pitching win of the season. Ashlin Woodman went 1-for-3 and drove in a run for Flat Rock.

Olivia McMahon, Monroe: Picked up two wins during an 8-2, 14-2 sweep of Ann Arbor Pioneer. Soffia Elmer and Sierra Daniels led the offense.

Maddy Kwiatkowski watches as her mother, Christine, throws the ceremonial first pitch for Bedford's softball team on Cancer Awareness Day on Monday, May 11, 2026.

Kaitlyn Kwiatkowski, Bedford: Went 5-for-5 on a night her mother was honored by throwing out the first pitch on Cancer Awareness Day. Freshman pitcher Luna Gallup notched a pair of complete-game shutouts in a 15-0, 16-0 sweep of Ann Arbor Skyline. Maddy Kwiatkowski went 4-for-4, Kinzi Burmeister logged two hits and Lily Vidra homered in the first game. Sophia Steinman was 3-for-3 and Emma Price and Mya Smithson combined to drive in seven runs in the nightcap.

Lily Vidra wears a big smile as she circles the bases after hitting a home run for Bedford's softball team on Cancer Awareness Day on Monday, May 11, 2026.

Kiley Lewandowski, Lauren Dunwoody and Kennedy Warren, Gibraltar Carlson: All doubled in a big second inning that powered the Marauders over Dearborn Edsel Ford. The finished with two hits apiece along with Emilee Konkus and Hayden England. Averie Gendron tossed a four-inning no-hitter.

Olivia Piepsney, SMCC: Cracked a home run, drive in five runs and went 4-for-4 as the Kestrels bounced back after losing the first game of a doubleheader 8-7 in nine innings to take the second game 98. Lauren Tolliver and Hannah Williams registered three hits each and Claire Holton finished 2-for-2. Braelyn Runyon notched two hits in the first game and was the winning pitcher in the second.

BOYS TRACK AND FIELD

Pierce Okoney, Dundee: Ran on three winning relays during an 86-50 triumph over Ann Arbor Greenhills. Julius Jenkins (long jump) and Jayden Hayes-Jackson (high jump) both won an individual event and were part of two winning relays. Other individual winners were Austin Aultman (high hurdles), Anthony York (low Hurdles), Calvin Campbell (shot-put), Ranveer Singh (discus) and Owen Cooley. Zachary Crawford  was part of two winning relays and York, Mason Abraham, Alex Tremonti, Jonathan Hettig, Owen Cory, Evan Cousino and Izaiah McGovern one apiece.

GIRLS TRACK AND FIELD

Makenzie Heath, Dundee: Captured wins in the 400 meters and high jump and ran on two winning relays to spark a 108-27 victory over Ann Arbor Greenhills. Addison Ringbloom (1600, 3200) and Sophia Nolff (both hurdles) were double winners while Maddie Salenbien (200), Rileigh Grady (shot-put), Hailey Elkins (discus), Merry Schwab (pole Vault) and Lily Ratliff (long jump) all ruled an event. Madeline Dukeshire, Allie Root, Aisley Cousino, Leah Evans, Tori Morton and Kyli Morton, Gabby Hovey and Sloan Branum contributed to a sweep of the relays.

PREP SOCCER

Camryn Cousino, Jefferson-Erie Mason: Scored both goals in a 6-2 loss to Milan. Kate Otting and Emalie Cadle had assists.

This article originally appeared on The Monroe News:New Boston Huron extends its dominance of Huron League girls soccer

Monroe County Region high school sports roundup for Monday, May 11

NEW BOSTON – Make it three straight for the Chiefs. New Boston Huron wrapped up its third consecutive Huron League championship in...
Dua Lipa Sues Samsung For $15 Million For Allegedly Using Her Face To Sell TVs

Like this article? Keep independent journalism alive.Support HuffPost.

HuffPost British pop star Dua Lipa claims Samsung Electronics used her image without permission to market its television sets.

May 10 (Reuters) - British pop star Dua Lipa has filed a lawsuit against Samsung Electronics seeking at least $15 million in damages, accusing the South Korean tech giant of using her image without permission to market its television sets.

The lawsuit alleges that Samsung featured a copyrighted image of the pop star on the front of cardboard boxes containing televisions for retail sale, enabling the company to benefit from what seemed like her endorsement of the product.

Buzz:Desi Lydic Destroys 1 Donald Trump Weakness With A Sharp One-Liner

The image alleged to have been used on the TV boxes is titled “Dua Lipa - Backstage at Austin City Limits, 2024,” and Lipa is the owner of all rights, title and interest in the image, the lawsuit said. The suit was filed on Friday in the California federal court.

A spokesperson for Samsung Electronics declined to comment, saying it was unable to comment on pending litigation, while Dua Lipa’s lawyers did not immediately respond to a request for comment on the case.

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Besides copyright and trademark infringement, Dua Lipa has accused Samsung Electronics of breaching publicity rights.

Lipa’s lawyers have attached screenshots of social media postings and comments in the filing claiming that the pop star’s image on the front of the boxes pushed potential customers to purchase the product. One of these screenshots shows a fan commenting that they would get the TV “just because Dua is on it.”

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The “Levitating” singer became aware of Samsung’s alleged infringement in June last year and demanded that Samsung stop using her image, but the electronics manufacturer repeatedly refused to do so, her lawyers said.

Samsung’s alleged unauthorised use of Dua Lipa’s image has “caused and continues to cause dilution” of the pop star’s “brand identity and commercial goodwill by falsely conveying to the consuming public that she approves of and endorses” the products in question, they added.

(Reporting by Rhea Rose Abraham and Akanksha Khushi in Bengaluru; Additional reporting by Hyunjoo Jin; Editing by Kate Mayberry)

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Dua Lipa Sues Samsung For $15 Million For Allegedly Using Her Face To Sell TVs

Like this article? Keep independent journalism alive.Support HuffPost. May 10 (Reuters) - British pop star Dua Lipa has filed a l...
20 genuinely horrible albums made by genius musicians: Do you agree?

Making great music is like playing baseball; nobody bats 1000, no matter how good they are. Sure, a few artists have managed the neat trick of never making a bad album, but those artists are, without a doubt, the exception to the rule.

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Horrible albums made by genius musicians: Do you agree?

Like the rest of us, even the most brilliant musician will slip on a metaphorical banana peel and release something that amounts to a stubborn stain on their catalog, which can never come out no matter how many great albums they release afterward. Here’s our list of genuinely crappy albums by great artists, a syndrome that occurs so frequently that we’re doing 20 instead of just 10.

1. Aerosmith — ‘Rock in a Hard Place’ (1982)

The American hard rock band Aerosmith spent the 1970s going from strength to strength, but by the 1980s, they were creatively spent and lost the services of guitarists Joe Perry and Brad Whitford, who were essential to the band’s sound. Ken Tucker of ThePhiladelphia Inquirergave it a one-star review , and the passage of 40 years has done nothing to rehabilitate its reputation.

2. The Beatles — ‘Yellow Submarine’ (1969)

Hey, even the Beatles don’t have an unblemished catalog. Technically, this is only half a Beatles album anyway, since side two is composed entirely of incidental music written by producer George Martin, and it’s safe to say that album side got played by Beatles fans exactly once. Side one is composed of previously released material and unreleased outtakes, of which only “It’s All Too Much” is worth hearing. Other than that song, this album is a complete waste of time.

3. Black Sabbath — ‘Forbidden’ (1995)

After Ozzy Osbourne parted ways with Black Sabbath in 1979, the band suffered years of revolving door lineups with different singers, bassists, and drummers coming and going, with varying degrees of success. Meanwhile, 1995’s “Forbidden” was hot garbage from top to bottom and easily the band’s worst release. It had no redeeming qualities, and the less said about it, the better.

4. David Bowie — ‘Never Let Me Down’ (1987)

David Bowie made a career out of crafting music that was ahead of its time, but by the 1980s, he had become much poppier in his output, which is not necessarily a bad thing. Sadly, by 1987’s “Never Let Me Down,” words like “middling” and “dull” would apply, a massive step down for an artist whose entire career was built on pushing the envelope. Reviews were mostly mixed, but today, this is still nobody’s favorite David Bowie album and likely never will be.

5. Eric Clapton — ‘Money and Cigarettes’ (1983)

1983’s “Money and Cigarettes” was Eric Clapton’s first album after being in treatment for alcoholism. While we’re happy he got the monkey off his back, the album itself is massively dull and contains not one note of memorable music. In theNew York Times, the guitarist conceded that he could probably do better on his next album than on this one.

6. The Clash — ‘Cut the Crap’ (1985)

In their glory days, even people who didn’t like punk rock liked the Clash, or at least respected them and recognized them as the genuine article. As their music changed from pure punk rock to incorporate elements of reggae, dub, and other sounds, their fans stayed with them, even as they committed the worst sin of all – making a popular album with 1982’s ‘Combat Rock.” But the fans could not countenance singer Joe Strummer firing half the band and turning in “Cut the Crap” as a Clash album in 1985, and the reviews were merciless. Strummer disowned the album and broke up the band weeks after its release.

7. The Doors — ‘Other Voices’ (1971)

When Doors singer Jim Morrison died in July 1971, the smart money would have been on the band breaking up immediately, as it was a loss akin to the Rolling Stones going on without Mick Jagger. At the time of the singer’s death, the remaining band members had been playing together and writing new material, so maybe it seemed like a healthy and life-affirming decision to carry on. Still, the sad fact is that without Morrison, it just didn’t work. They recorded another Jimless album, “Full Circle” in 1972 and then mercifully pulled the plug.

8. Led Zeppelin — ‘Coda’ (1982)

It may not be fair to include “Coda” on this list since it was a collection of outtakes compiled by the band two years after they broke up and was not intended to stand alongside their regular studio albums. Having said that, “Coda” fails to clear the very low bar set for it, despite having a couple of songs on it that are not so bad. You will never put it on the same way you put on “Houses of the Holy,” and if you do, you will never listen to it a second time.

9. Lynyrd Skynyrd — ‘Skynyrd’s First and… Last’ (1978)

Just like “Coda” was for Led Zeppelin, “Skynyrd’s First and… Last” was a vault-clearing outtakes album released after the band had been in a plane crash that killed two members. The tracks all came from sessions recorded before the band’s first album, and a couple of the songs are truly outstanding. Then there are another seven songs, which are not. It’s not unlistenable, but it falls far short of the music released during the band’s heyday.

10. Metallica — ‘St. Anger’ (2003)

“St. Anger” is the worst album Metallica ever recorded, for several reasons. The sound is awful (drummer Lars Ulrich sounds like he’s hitting a garbage can lid), the songs are terrible from start to finish, and they go on for multiple eternities, with songs that overstay their welcome after two minutes going on for seven or eight. In their 40-year career, Metallica has released several records that challenged fans and didn’t offer easy retreads of the stuff fans liked the most, but this album feels like pure punishment, and not the good kind.

11. Pink Floyd — ‘The Final Cut’ (1983)

Pink Floyd’s catalog is wide and varied, and quite honestly, not every record is a winner. In fact, some of them are downright crappy! But when it comes to the album that has no good songs and shows bassist and songwriter Roger Waters at his most dictatorial, 1983’s “The Final Cut” has no competition. Waters was primarily responsible for the band’s previous album, “The Wall,” which he had written about 95% of and had been a major hit on the charts. He was driven mad with power and decided he was Pink Floyd, but he left the group after the release of “The Final Cut,” assuming the band would collapse without him. Instead, they went on to make millions and millions of dollars in his absence.

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12 Elvis Presley — ‘Having Fun with Elvis on Stage’ (1974)

Whatever you think of Elvis Presley, you’d have to agree that he was a singer first, maybe an actor second, and someone who shot at television sets to change the channel third. What he was not was a spoken word artist, but that didn’t do anything to stop the release of 1974’s “Having Fun with Elvis on Stage,” which consisted entirely of the guy’s onstage banter and contained not one note of music. Of course, for some people, the complete absence of Elvis Presley’s music might be a selling point.

13. Queen — ‘Hot Space’ (1982)

Queen was never a band that was a critic’s darling, but the fans always loved them, even when they departed from their rock sound to dabble in other styles. The one time this wasn’t the case was on 1982’s “Hot Space” album, which consisted almost entirely of dance music and not the kind that anyone wanted. The one bright spot on the album was the closing cut, “Under Pressure,” which featured a guest appearance from David Bowie and is a stone-cold classic. The 40 minutes preceding it uniformly stink.

14.Queen + Paul Rodgers — ‘The Cosmos Rocks’ (2008)

This may seem like double-dipping since we discussed Queen in the previous entry. Still, we would be shirking our responsibilities as a publication full of actionable knowledge if we let this go. After Freddie Mercury passed away in 1991, Queen became inactive for several years, only to emerge in 2005 with Bad Company singer Paul Rodgers at the microphone. The pairing did not work at all, but fans were so happy to see the band again in any form that the union was tolerated. Then they made the album “The Cosmos Rocks,”it was awful, and the pairing ended shortly after that.

15 Lou Reed and Metallica — ‘Lulu’ (2011)

This also qualifies as double-dipping since we mentioned Metallica a few entries ago, but we would be remiss to overlook it. Whether you want to see this as a misfire for Lou Reed, Metallica, or both, there’s no denying that this record is physically painful to listen to from the word go. It lasts over 88 minutes, with some songs going on for almost 20 minutes. Critic Don Kayecalled it“a catastrophic failure on almost every level” , and he wasn’t wrong.

16. The Rolling Stones — ‘Their Satanic Majesties Request’ (1967)

When you have as long a career as the Rolling Stones, you’re likely to make at least a couple of subpar albums, and Mick Jagger and co. certainly released their share. While a couple receive regular mention on worst-of lists, such as 1986’s “Dirty Work,” we’re going with 1967’s “Their Satanic Majesties Request,” a blatant attempt at ripping off the Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” in both look and sound. The faux-psychedelic album cover housed a record full of ‘faux-psychedelic’ music, which the Rolling Stones had no talent for. In the 1994 book “Keith Richards: In His Own Words,” the legendary Stones guitarist called the record ‘a load of crap.

17. Rod Stewart — ‘Blondes Have More Fun’ (1978)

In the late 1970s, it seemed like every rock artist was going disco, even artists like KISS and the Rolling Stones, whose rock credentials seemed beyond question. Rod Stewart also couldn’t resist participating in the fad, and his “Blondes Have More Fun” album saw him shaking his booty to a disco beat, especially on its lead-off single, “Do Ya Think I’m Sexy.” It’s certainly not the worst record ever made, but when it came out, fans of Stewart’s more rock material were livid with rage, and many of them never forgave him.

18. Van Halen — ‘Van Halen III’ (1998)

Van Halen could seemingly do no wrong in the 1980s when they dominated the airwaves and were all over MTV. Some worried that it might affect their commercial fortunes when they parted ways with singer David Lee Roth, but when new singer Sammy Hagar took over for Roth, the band went from strength to strength. For reasons too convoluted to go into, they parted ways with Hagar and replaced him with former Extreme singer Gary Cherone, who sang on 1998’s very terrible “Van Halen III.”While it’s tempting to blame the new guy for it, the singer described the record as “Eddie [Van Halen’s] baby” in a 2012 interview with Rolling Stone.

19. The Who — ‘It’s Hard’ (1982)

The Who had arguably been in artistic decline in the late 1970s, notably when they released 1978’s subpar “Who Are You” album. Then, legendary drummer Keith Moon passed away, and many people took it for granted that was the end of the band, but they drafted the Faces’ Kenney Jones and carried on. Their first album with Jones, “Face Dances,” wasn’t terrible, but the next one, 1982’s “It’s Hard,” absolutely was. The band must have agreed because they broke up shortly afterward.

20. Yes — ‘Union’ (1991)

The British progressive rock band Yes made their name in the 1970s and even had an unlikely career renaissance in the 1980s. But there was trouble in paradise when the Yes lineup that became popular in the 1980s was operating simultaneously with the members who had been in the band in the previous decade. If that doesn’t make any sense, that’s because it doesn’t! The record company decided to worsen an incoherent situation by taking songs recorded by both camps, combining them on one album, calling the album ‘Union,’ and saying it was a Yes album. The music was as incoherent as the backstory, and not one of the album’s 14 songs is good. Legendary Yes keyboard player Rick Wakemansaidthat he referred to the “Union” album as “Onion” because it made him cry whenever he listened to it.

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20 genuinely horrible albums made by genius musicians: Do you agree?

Making great music is like playing baseball; nobody bats 1000, no matter how good they are. Sure, a few artists have managed the neat t...
Iran live updates: Tehran 'serious' about peace talks, Baghaei says

President Donald Trump announced "major combat operations" against Iran on Feb. 28, with massive joint U.S.-Israeli strikes targeting military, government and infrastructure sites.

ABC News

Following the announcement of a two-week ceasefire,initial U.S.-Iran talksin Pakistan in April failed to reach a peace deal.

Trump later announced the open-ended extension of the ceasefire and the continuation of a U.S. blockade until negotiations are concluded "one way or the other."

Iranian Foreign Ministry spokesperson Esmaeil Baghaei told a press conference on Monday that Tehran is "serious" about ongoing negotiations to end the U.S.-Israeli war with Iran, and after President Donald Trump on Sunday dismissed Tehran's latest proposal as "totally unacceptable.""Diplomatic processes have their own rules, and parties to any negotiation must decide based on their national interests," Baghaei said, as quoted by the semi-official Mehr News Agency."The Islamic Republic of Iran has shown it is serious in pursuing its national interests and legitimate rights, while at the same time participating in diplomatic processes with good faith and reason," he added.Rather, Baghaei said, it is the U.S. that still needs to prove its commitment to a diplomatic process, citing the U.S. withdrawal from the Joint Comprehensive Plan of Action nuclear deal in 2018 and its previous launching of military action despite ongoing talks."We fight whenever necessary, and we use the weapon of diplomacy whenever we deem it right," Baghaei said.

The Israel Defense Forces on Sunday conducted strikes throughout the day on several areas in southern Lebanon, which they said targeted Hezbollah infrastructure."Throughout the day (Sunday), the IDF struck in several areas in southern Lebanon, more than 20 terror infrastructure, including weapon storage facilities, headquarters, and military used structures from which Hezbollah terrorists operated," the IDF said in a statement.The strikes come as more talks are scheduled between Israel and Lebanon and Washington later this week.The Lebanese Ministry of Health released an updated death toll from Israeli strikes, with over 2,800 killed and nearly 8,700 wounded.

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In a social media post on Sunday, President Donald Trump called Iran's latest response to a deal to end the war "TOTALLY UNACCEPTABLE.""I have just read the response from Iran’s so-called 'Representatives.' I don’t like it — TOTALLY UNACCEPTABLE! Thank you for your attention to this matter," Trump wrote on Truth Social.His response comes after Iranian state media reported on Sunday that Tehran had sent its response to the U.S.-proposed text outlining a possible end to the ongoing war.Iran's response was sent via Pakistani mediators, according to state media.

President Donald Trump on Sunday again touted his administration's operations in Iran but wouldn't go as far as to say that combat was over.Appearing on "Full Measure," Trump said of seizing Iran's stockpile of enriched uranium, "Well, we'll get that at some point. Whatever we want. We have it surveilled.""We have that very well surveilled. If anybody got near the place, we will know about it, and we'll blow him up. We'll blow them up," he added.

Trump was also asked if he believes that combat operations were concluded. "No, I didn't say that. I said they are -- they are defeated, but that doesn't mean they're done. We could go in for two more weeks and do every single target," Trump said."We have certain targets that we wanted, and we've done probably 70% of them, but we have other targets that we could conceivably hit. But even if we didn't do that, that would just be final touches. But even if we didn't do that, it would take them many years to rebuild," the president said.

Trump admitted that Iranian negotiators were a tough group to work with but maintained his argument that their nuclear capabilities have been severely weakened and that the U.S. would eventually seize Iran's stockpile of highly enriched uranium."It's very interesting because, you know, they make a deal and then they break it. Then they make a deal, they break it. It's a difficult group, but from a military standpoint, I mean, if we left, if we left today, it would take them 20 years to rebuild," Trump said.-ABC News' Lalee Ibssa

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Iran live updates: Tehran 'serious' about peace talks, Baghaei says

President Donald Trump announced "major combat operations" against Iran on Feb. 28, with massive joint U.S.-Israeli strikes t...
Matt Le Tissier interview: I will not be bullied into silence

What better place to meet Matt Le Tissier than The Dell pub at St Mary’s? As I arrive, the man who ended 103 years of history atSouthampton’s old ground with a fairy-tale goal is playing darts while chomping on a Double Decker. “Drink?” he says, marching to the bar.

The Telegraph Matt Le Tissier at St Mary's

Havingstood down from his ambassadorial rolein 2022 after appearing to question whether war reports describing massacres in Ukraine could be believed, Le Tissier is back working for the club he so spectacularly represented on the pitch for 16 years.

Now 57, Le Tissier does not believe that he will everreturn to mainstream punditryafter his outspoken criticism of the government’s Covid lockdown policies, but he does think that the offer of a formal role again in elite football has coincided with a certain shift.

“The whole kind of wokeism... there’s been a lot of kickback,” he says. “There’s a lot of people now who realise that perhaps it just went a bit too far. At some point it’s going to swing back where everyone’s more calm and settled. And you can speak your mind without fear of getting cancelled from jobs because you had an opinion that was outside the government narrative.”

Le Tissier then laughs out loud when I mention the headlines he recently made foraccusing Grok of “government propaganda”over plane trails – “a mountain out of a molehill,” he says – but he remains convinced thathis abrupt exit fromSoccer Saturdayin 2020was a direct result of his vocal social media presence.

He still feels vindicated on both his Covid stance (something we discussed at length in aprevious interview) and hisreluctance to endorsethe Black Lives Matter movement. He also stresses that he got some things wrong and has admitted that his family was at one stage concerned for his mental health. But he is adamant that he will not be muted.

‘It cost me my job at Sky’

“I think that’s dangerous if everybody takes that view; then you just let yourself be bullied into silence,” he says. “Rational debate is the way we move forward as a society. I’ve always been fairly opinionated. I’ve always kind of been my own man and able to make my own decisions and have my own thoughts.

“And it’s costly. It cost me my job at Sky and anyone who tries to tell you different doesn’t really know what they’re talking about. But I’d do the same again.

“There aren’t many things I’ve regretted. We’re all human and we all make mistakes. You apologise, you correct it and you move on. If you’re on the government side and you f--- up, that’s fine. But on the side I was sat, nobody will accept your apology. You’re cancelled.

“I’m quite happy plodding along. I do my after-dinner speaking, which I’ve done for the last 20-odd years since I retired, although a few years ago people were trying to get me cancelled from jobs there. Because I said something about Covid or Black Lives Matter they didn’t think that I should be able to have a job speaking at football clubs about my football career. That’s cancel culture.”

The original Soccer Saturday line-up at the Mayflower Theatre in Southampton

‘Ukraine post was one of the mistakes I made’

Of his post relating to Ukraine, where he highlighted another user’s message claiming the media had lied about Covid and weapons of mass destruction in Iraq before questioning whether they were telling the truth about Russian atrocities in Bucha, Le Tissier now says: “That was one of the mistakes I made. I posted the wrong example and I apologised for it. The club were getting a load of people trying to cancel me. I was ambassador, but I wasn’t on the payroll. I just went to Martin Semmens [then the chief executive] and said: ‘Look Martin, I don’t want you getting all that hassle.’”

And what has been the response to his return?

“The fans have always been great to me and most people understand that you’re allowed to have an opinion that’s different.

“I’ll never work in television again in terms of mainstream stuff. That doesn’t bother me. Especially as now I’m back here trying to help out the club that I’ve spent a massive part of my life at. I still get a buzz with it.”

Matt Le Tissier

After beating Arsenal and almost toppling Manchester City for a place in the FA Cup final, Southampton’sextraordinary run since Tonda Eckert became managerin November has led to them surging from 21st to a Championship play-off first leg at Middlesbrough on Saturday.

‘They can’t even add up my assists’

Le Tissier’s involvement in recent months has also spread beyond hosting a club podcast alongside commercial and ambassadorial work to spending more time at the training ground. He is especially interested in learning more about the data revolution since retiring in 2003. It would certainly be fascinating to compare his running and passing stats with the present day.

“Thankfully they didn’t have those cameras and trackers back then,” he says, smiling. “All I’ve got is 540 appearances, 209 goals. They can’t even add up my assists. I’ve had a rough guess. It was probably about 100 assists on top of the 209 goals. It’s not Messi and Ronaldo figures but it’s quite good, especially since I started as a nippy winger and three-quarters of my career was probably in midfield.”

The added point here was the truly extraordinary ratio of goals that were either goal-of-the-season contenders or decisive in keeping Southampton in the top flight throughout his career. For those who doubt how he might have fared in the modern era, Le Tissier also makes an important counter: “They’re playing on carpet most of the season now. We were lucky to get grass on the pitch until about October. It has allowed coaches to try to play on the ground, which I think would have suited me better.

“I remember seeing one game, my first ever hat-trick when I was 18 against Leicester. It had snowed that day, it was muddy and I was like: ‘How did I dribble on that?’ It was mad.

“But I wouldn’t change the time that I played. People weren’t so bothered with what you did. There wasn’t social media; there wasn’t that camera-phone environment where everything is documented. Even after we got beat on a Saturday afternoon, we’d still go out and have a drink.

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“One of the reasons I stayed [he turned down Tottenham, Liverpool and Chelsea] is because I liked having a fairly normal life. Even when we were in the middle of a relegation scrap, going into work was such good fun with the characters. There was never a day where you didn’t laugh... people taking the p--- out of each other and no one getting offended.”

One of the main arteries into the city would even greet visitors with his picture and the words “You are entering God’s country”. A little-known aside in recent years is that the man they called “Le God” has also found Christ himself, becoming a regular churchgoer in 2023 after attending the funeral of the wife of Dave Merrington, the former Southampton manager and a mentor to Le Tissier’s generation. Le Tissier was baptised last year.

‘I’ve had 35,000 West Ham fans singing big nose’

Away from the extremes of social media, he says that his everyday encounters with people are invariably positive, even at fierce rivals Portsmouth, where his ability to soak up being the pantomime villain could be a lesson to the darts world champion, Luke Littler.

“I think he’s getting some bad advice – needs to be better managed,” Le Tissier says. “You can’t beat 500 or a thousand people so there’s no point trying. I’ve had 35,000 West Ham fans singing, ‘Big nose, he’s got an effing big nose!’ And I’d just go, [shrugging his shoulders and pointing to his nose] and then they’re just like: ‘Oh, we won’t bother.’ That’s a life lesson.”

I wonder also what life lessons Le Tissier – a penalty-taker extraordinaire as much for his mental certainty as technical skill – can bring to a different generation of footballer and even manager. He has already been an occasional sounding board to the chief executive Phil Parsons and hopes that the learning can be mutual.

“Tonda’s very thorough in his preparation and very focused,” Le Tissier says. “If I see things that maybe we could improve on then I’ll just give my thoughts. If that helps, then so be it. It’s nice that they’ve given me that scope. It doesn’t mean they’re always going to take my advice, but they’re happy for me to give my opinion.

“There’s lots of little things I’m interested in finding out. For example, when players might be susceptible to injuries. In our day, you just relied on the player’s honesty to go, ‘It’s all right’ or ‘I don’t think I’m fit enough’. Those kind of decisions are almost being taken out of the player’s hands now. So I’m fascinated by what those metrics are. Where does the power lie in that little dynamic?”

Tonda Eckert (L) and Pep Guardiola (R) chat on the touchline during the FA Cup semi-final

When I suggest that it must all be a balance, Le Tissier nods and we are soon back to politics. “I think that’s not just in this scenario,” he says. “I think there’s a balance that needs to be found in all walks of life; that’s kind of been missing from the whole planet in the last six years.

“There are grey areas in most things. It’s important that we can identify that and make some sensible rational decisions by getting both perspectives. Sometimes you’ll fall on one side of the argument, sometimes the other.”

Le Tissier then bristles at the idea he can be pigeonholed at any extreme of the political spectrum. “I don’t like being put in a box,” he says. “I want to sit here and judge every subject on its merits – not because you’ve got to think this way because you’re in that tribe.”

‘Name-calling just stifles debate’

So does he think that he might surprise people with his views on some subjects? “Yeah, 100 per cent. People just assume things because you think one way about a certain subject. People don’t take the time to sit and chat or listen. They just want to label you as something... anti-Semitic or racist, or whatever they want to throw at you. That whole name-calling... it just stifles debate and it detracts from actually having a conversation about the issues.”

With the old party system on the brink of disintegration, I wonder whether he might go into politics.

“I’ve been asked that a few times. I don’t think I’m particularly interested. I feel like the system is a bit rigged at the minute, a bit s---. We’d be much better off with independent MPs and no party politics. I think the country would be less corrupt.

“I also think there should be a bit more like the Swiss-style direct democracy where you get referendums on big issues that really affect your country. Nobody voted for digital IDs. Nobody put that in their manifestos and yet successive governments have tried foisting it upon us. Legally, political parties should be made to actually stick to what is in their manifesto.”

So what does he think of Donald Trump? “I don’t really know if he is trying to break the system. I don’t know if he’s part of the system.”

‘Rupert Lowe and I have similar views on quite a few bits’

And how aboutRupert Lowe, once his old boss as Southampton chairman, and now an MP and leader of a party called Restore Britain? “I think we do have some very similar views on quite a few bits; there’s also quite a few bits where I think maybe he goes a little bit too far sometimes.

“I’d like to see less power in Westminster. I’d like to see local governments have more power and people police themselves better at local levels and not give huge amounts of money to the central government to spaff on stuff that people don’t need, and don’t vote for. The less civil servants and the less politicians we have, the better.”

So what do we waste money on? “We should help the people in this country first. And, when we’ve sorted our own country out, then we’ll be in a position to help others. If every country took that attitude, then the world would be a much better place.

“When we’ve got room to take people in, and look after other people, then let’s do that. We’ve got poverty in our population. I’m not blind to what’s going on. Perhaps people in the Westminster bubble don’t get to see.”

Shortly after our interview, I then spoke with someone who, while disagreeing with many of Le Tissier’s views, wanted to emphasise how brilliant he was when they spent a day together serving food to homeless people. It is a familiar sort of story around Southampton.

And, while we certainly do not agree on everything (Le Tissier says that is healthy anyway), it is hard to dispute one observation. People are generally also more multi-layered and nuanced than either their most vociferous supporters or critics would ever acknowledge.

Matt Le Tissier interview: I will not be bullied into silence

What better place to meet Matt Le Tissier than The Dell pub at St Mary’s? As I arrive, the man who ended 103 years of history atSoutham...
Bafta TV awards 2026: A titanically tepid ceremony

After controversy at thefilm Baftasover the broadcasting of a racial slur, the last thing the BBC needed was another flashpoint at the television awards. All involved can rest easy because not only was the ceremony lacking in contentious moments – for long stretches it seemed to be missing a pulse altogether.

The Telegraph Taskmaster's Greg Davies hosted the awards

Taskmaster’s Greg Davies was the new host, taking over from Alan Cumming, who has vowed to never again helm the Baftas following the fall-out over the film awards (which he also presented). Davies was off to a respectable start with a funny pre-recorded sketch in which he introduced an eye-rolling teenager to the joys of British television down the decades – the elephant pooing on Blue Peter, people shouting at each other onEastEndersand so forth.

But it was a different story once he stepped on stage for the live broadcast (not actually live, of course – the BBC was airing it with a delay and with new protocols to ensure there was no repeat of the shambles at the film Baftas). Nervous throughout, Davies had the air of someone happy to simply get through the evening. His jitteriness deprived the two-hour ceremony of the one essential for an awards show: a sense of fun.

Lucy Punch and Philippa Dunne of Amandaland, which won Best Scripted Comedy

Instead of fun, there was lots of silliness. Too much, it quickly became clear. Many of the celebrities dragged up to dole out awards had decided to seize the spotlight with less than hilarious results. Comic actresses Lucy Punch and Philippa Dunne seemed to be improvising a scene from their seriesAmandalandon the spot – to tepid guffaws from a generally stony room. Next camenew Harry Potteractor Paapa Essiedu, who thought it would be hilarious to refer to his co-star Nick Frost by the name of his Rowling-verse character, Hagrid – with a pay-off about as funny as a real-life game of Quidditch.

Hollywood glamourwas sprinkled courtesy ofSeverance’s Adam Scott and rapper-turned-actress Awkwafina, who turned up to present awards. They were mere warm-ups for Tinsel Town comedian Seth Rogen, who won Best International Show forThe Studioand approached the Bafta podium like someone who had tumbled through the back of a wardrobe into a parallel dimension.

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Adam Scott presents the Actor in a Comedy Award onstage during the 2026 BAFTA Television Awards

“This award show is so cool,” he said, before pointing to Davies, who was watching from a corner of the stage. “I love that this guy sits there in a little chair.” Rogen then gestured towards veteran actress Celia Imrie, whoseflatulence onThe Celebrity Traitorsprovided the evening with one of its running gags. “I assume this woman is very skilled and talented. All I know is she farted on a reality show.”

It was not the last time the Traitors was name-dropped. The Claudia Winkleman backstabbing festival was one of the evening’s duo of big winners (it scooped two awards). The other wasAdolescence, which continued the victory lap which it has seemingly been on since the invention of television itself.

The Celebrity Traitors won two awards

Ethereal pop star Aurora provided the evening with one of its emotive high points as she performed her haunting ballad,Through the Eyes of a Child– from the score to, yes,Adolescence. She was soundtracking an in memoriam section which marked the passing of Prunella Scales, Desmond Morris, James Van Der Beek and others – though there was no mention ofSchitt’s CreekstarCatherine O’Hara, to whom Studio co-star Rogen had paid tribute.

The tone was often jarring. Amid all the wackiness and bantering, rapper-turned-DIY expert Tinie Tempah was the rare award presenter to maintain a straight face – just as well as he was about to hand Simon Schama an accolade for a documentary about the Holocaust. Meanwhile, a skit in which news presenter Kirsty Wark was rude to Davies landed oddly – her “fake” annoyance containing flashes of genuine irritation.

Tellingly, many of the more serious awards were relegated to a highlights section. They included the current affairs category, which was won byGaza: Doctors Under Attack, broadcast by Channel 4 after the BBC declined to air it. “Given you dropped our film, will you drop us from the Bafta screening later tonight?”, wondered Ben de Pear, the founder of the production company that made the film. He got his answer – the comments were broadcast but during a montage that was over almost before it began.

The message repeated from the podium was that television has no rival when it comes to the shared viewing experience. It’s a fair point. How ironic that it was made during a titanically tepid ceremony that would have had many viewers reach for their phones and scrolling furiously.

Bafta TV awards 2026: A titanically tepid ceremony

After controversy at thefilm Baftasover the broadcasting of a racial slur, the last thing the BBC needed was another flashpoint at the ...
Turkish Airlines plane evacuated after smoke seen from landing gear in Nepal

By Gopal Sharma

Reuters

KATHMANDU, May 11 (Reuters) - A Turkish Airlines plane was evacuated after ‌smoke was observed from its landing ‌gear while it was taxiing after landing in ​Nepal's capital of Kathmandu, the airline said, forcing the closure of the airport for an hour.

The Civil Aviation Authority of Nepal (CAAN) ‌had earlier said ⁠a fire broke out in the right rear tyre of the ⁠Airbus A330, which was doused before the plane was towed to the taxiway.

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All 277 ​passengers and ​11 crew on ​board were evacuated ‌using the emergency exits, and nobody was injured, the aviation regulator and airline said.

"Technical inspections of the aircraft have been initiated by our teams. Initial assessments indicate that ‌the smoke was caused ​by a technical malfunction ​in a hydraulic ​pipe," Yahya Ustun, the airline's ‌senior vice president, communications, ​said on ​social media platform X.

An additional flight has been planned for the return of ​the passengers, ‌he added.

(Reporting by Gopal Sharma; Writing ​by Sakshi Dayal; Editing by Clarence ​Fernandez and Jamie Freed)

Turkish Airlines plane evacuated after smoke seen from landing gear in Nepal

By Gopal Sharma KATHMANDU, May 11 (Reuters) - A Turkish Airlines plane was evacuated after ‌smoke was observed from its landing ‌...

 

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