Matt Le Tissier interview: I will not be bullied into silence

What better place to meet Matt Le Tissier than The Dell pub at St Mary’s? As I arrive, the man who ended 103 years of history atSouthampton’s old ground with a fairy-tale goal is playing darts while chomping on a Double Decker. “Drink?” he says, marching to the bar.

The Telegraph Matt Le Tissier at St Mary's

Havingstood down from his ambassadorial rolein 2022 after appearing to question whether war reports describing massacres in Ukraine could be believed, Le Tissier is back working for the club he so spectacularly represented on the pitch for 16 years.

Now 57, Le Tissier does not believe that he will everreturn to mainstream punditryafter his outspoken criticism of the government’s Covid lockdown policies, but he does think that the offer of a formal role again in elite football has coincided with a certain shift.

“The whole kind of wokeism... there’s been a lot of kickback,” he says. “There’s a lot of people now who realise that perhaps it just went a bit too far. At some point it’s going to swing back where everyone’s more calm and settled. And you can speak your mind without fear of getting cancelled from jobs because you had an opinion that was outside the government narrative.”

Le Tissier then laughs out loud when I mention the headlines he recently made foraccusing Grok of “government propaganda”over plane trails – “a mountain out of a molehill,” he says – but he remains convinced thathis abrupt exit fromSoccer Saturdayin 2020was a direct result of his vocal social media presence.

He still feels vindicated on both his Covid stance (something we discussed at length in aprevious interview) and hisreluctance to endorsethe Black Lives Matter movement. He also stresses that he got some things wrong and has admitted that his family was at one stage concerned for his mental health. But he is adamant that he will not be muted.

‘It cost me my job at Sky’

“I think that’s dangerous if everybody takes that view; then you just let yourself be bullied into silence,” he says. “Rational debate is the way we move forward as a society. I’ve always been fairly opinionated. I’ve always kind of been my own man and able to make my own decisions and have my own thoughts.

“And it’s costly. It cost me my job at Sky and anyone who tries to tell you different doesn’t really know what they’re talking about. But I’d do the same again.

“There aren’t many things I’ve regretted. We’re all human and we all make mistakes. You apologise, you correct it and you move on. If you’re on the government side and you f--- up, that’s fine. But on the side I was sat, nobody will accept your apology. You’re cancelled.

“I’m quite happy plodding along. I do my after-dinner speaking, which I’ve done for the last 20-odd years since I retired, although a few years ago people were trying to get me cancelled from jobs there. Because I said something about Covid or Black Lives Matter they didn’t think that I should be able to have a job speaking at football clubs about my football career. That’s cancel culture.”

The original Soccer Saturday line-up at the Mayflower Theatre in Southampton

‘Ukraine post was one of the mistakes I made’

Of his post relating to Ukraine, where he highlighted another user’s message claiming the media had lied about Covid and weapons of mass destruction in Iraq before questioning whether they were telling the truth about Russian atrocities in Bucha, Le Tissier now says: “That was one of the mistakes I made. I posted the wrong example and I apologised for it. The club were getting a load of people trying to cancel me. I was ambassador, but I wasn’t on the payroll. I just went to Martin Semmens [then the chief executive] and said: ‘Look Martin, I don’t want you getting all that hassle.’”

And what has been the response to his return?

“The fans have always been great to me and most people understand that you’re allowed to have an opinion that’s different.

“I’ll never work in television again in terms of mainstream stuff. That doesn’t bother me. Especially as now I’m back here trying to help out the club that I’ve spent a massive part of my life at. I still get a buzz with it.”

Matt Le Tissier

After beating Arsenal and almost toppling Manchester City for a place in the FA Cup final, Southampton’sextraordinary run since Tonda Eckert became managerin November has led to them surging from 21st to a Championship play-off first leg at Middlesbrough on Saturday.

‘They can’t even add up my assists’

Le Tissier’s involvement in recent months has also spread beyond hosting a club podcast alongside commercial and ambassadorial work to spending more time at the training ground. He is especially interested in learning more about the data revolution since retiring in 2003. It would certainly be fascinating to compare his running and passing stats with the present day.

“Thankfully they didn’t have those cameras and trackers back then,” he says, smiling. “All I’ve got is 540 appearances, 209 goals. They can’t even add up my assists. I’ve had a rough guess. It was probably about 100 assists on top of the 209 goals. It’s not Messi and Ronaldo figures but it’s quite good, especially since I started as a nippy winger and three-quarters of my career was probably in midfield.”

The added point here was the truly extraordinary ratio of goals that were either goal-of-the-season contenders or decisive in keeping Southampton in the top flight throughout his career. For those who doubt how he might have fared in the modern era, Le Tissier also makes an important counter: “They’re playing on carpet most of the season now. We were lucky to get grass on the pitch until about October. It has allowed coaches to try to play on the ground, which I think would have suited me better.

“I remember seeing one game, my first ever hat-trick when I was 18 against Leicester. It had snowed that day, it was muddy and I was like: ‘How did I dribble on that?’ It was mad.

“But I wouldn’t change the time that I played. People weren’t so bothered with what you did. There wasn’t social media; there wasn’t that camera-phone environment where everything is documented. Even after we got beat on a Saturday afternoon, we’d still go out and have a drink.

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“One of the reasons I stayed [he turned down Tottenham, Liverpool and Chelsea] is because I liked having a fairly normal life. Even when we were in the middle of a relegation scrap, going into work was such good fun with the characters. There was never a day where you didn’t laugh... people taking the p--- out of each other and no one getting offended.”

One of the main arteries into the city would even greet visitors with his picture and the words “You are entering God’s country”. A little-known aside in recent years is that the man they called “Le God” has also found Christ himself, becoming a regular churchgoer in 2023 after attending the funeral of the wife of Dave Merrington, the former Southampton manager and a mentor to Le Tissier’s generation. Le Tissier was baptised last year.

‘I’ve had 35,000 West Ham fans singing big nose’

Away from the extremes of social media, he says that his everyday encounters with people are invariably positive, even at fierce rivals Portsmouth, where his ability to soak up being the pantomime villain could be a lesson to the darts world champion, Luke Littler.

“I think he’s getting some bad advice – needs to be better managed,” Le Tissier says. “You can’t beat 500 or a thousand people so there’s no point trying. I’ve had 35,000 West Ham fans singing, ‘Big nose, he’s got an effing big nose!’ And I’d just go, [shrugging his shoulders and pointing to his nose] and then they’re just like: ‘Oh, we won’t bother.’ That’s a life lesson.”

I wonder also what life lessons Le Tissier – a penalty-taker extraordinaire as much for his mental certainty as technical skill – can bring to a different generation of footballer and even manager. He has already been an occasional sounding board to the chief executive Phil Parsons and hopes that the learning can be mutual.

“Tonda’s very thorough in his preparation and very focused,” Le Tissier says. “If I see things that maybe we could improve on then I’ll just give my thoughts. If that helps, then so be it. It’s nice that they’ve given me that scope. It doesn’t mean they’re always going to take my advice, but they’re happy for me to give my opinion.

“There’s lots of little things I’m interested in finding out. For example, when players might be susceptible to injuries. In our day, you just relied on the player’s honesty to go, ‘It’s all right’ or ‘I don’t think I’m fit enough’. Those kind of decisions are almost being taken out of the player’s hands now. So I’m fascinated by what those metrics are. Where does the power lie in that little dynamic?”

Tonda Eckert (L) and Pep Guardiola (R) chat on the touchline during the FA Cup semi-final

When I suggest that it must all be a balance, Le Tissier nods and we are soon back to politics. “I think that’s not just in this scenario,” he says. “I think there’s a balance that needs to be found in all walks of life; that’s kind of been missing from the whole planet in the last six years.

“There are grey areas in most things. It’s important that we can identify that and make some sensible rational decisions by getting both perspectives. Sometimes you’ll fall on one side of the argument, sometimes the other.”

Le Tissier then bristles at the idea he can be pigeonholed at any extreme of the political spectrum. “I don’t like being put in a box,” he says. “I want to sit here and judge every subject on its merits – not because you’ve got to think this way because you’re in that tribe.”

‘Name-calling just stifles debate’

So does he think that he might surprise people with his views on some subjects? “Yeah, 100 per cent. People just assume things because you think one way about a certain subject. People don’t take the time to sit and chat or listen. They just want to label you as something... anti-Semitic or racist, or whatever they want to throw at you. That whole name-calling... it just stifles debate and it detracts from actually having a conversation about the issues.”

With the old party system on the brink of disintegration, I wonder whether he might go into politics.

“I’ve been asked that a few times. I don’t think I’m particularly interested. I feel like the system is a bit rigged at the minute, a bit s---. We’d be much better off with independent MPs and no party politics. I think the country would be less corrupt.

“I also think there should be a bit more like the Swiss-style direct democracy where you get referendums on big issues that really affect your country. Nobody voted for digital IDs. Nobody put that in their manifestos and yet successive governments have tried foisting it upon us. Legally, political parties should be made to actually stick to what is in their manifesto.”

So what does he think of Donald Trump? “I don’t really know if he is trying to break the system. I don’t know if he’s part of the system.”

‘Rupert Lowe and I have similar views on quite a few bits’

And how aboutRupert Lowe, once his old boss as Southampton chairman, and now an MP and leader of a party called Restore Britain? “I think we do have some very similar views on quite a few bits; there’s also quite a few bits where I think maybe he goes a little bit too far sometimes.

“I’d like to see less power in Westminster. I’d like to see local governments have more power and people police themselves better at local levels and not give huge amounts of money to the central government to spaff on stuff that people don’t need, and don’t vote for. The less civil servants and the less politicians we have, the better.”

So what do we waste money on? “We should help the people in this country first. And, when we’ve sorted our own country out, then we’ll be in a position to help others. If every country took that attitude, then the world would be a much better place.

“When we’ve got room to take people in, and look after other people, then let’s do that. We’ve got poverty in our population. I’m not blind to what’s going on. Perhaps people in the Westminster bubble don’t get to see.”

Shortly after our interview, I then spoke with someone who, while disagreeing with many of Le Tissier’s views, wanted to emphasise how brilliant he was when they spent a day together serving food to homeless people. It is a familiar sort of story around Southampton.

And, while we certainly do not agree on everything (Le Tissier says that is healthy anyway), it is hard to dispute one observation. People are generally also more multi-layered and nuanced than either their most vociferous supporters or critics would ever acknowledge.

Matt Le Tissier interview: I will not be bullied into silence

What better place to meet Matt Le Tissier than The Dell pub at St Mary’s? As I arrive, the man who ended 103 years of history atSoutham...
Bafta TV awards 2026: A titanically tepid ceremony

After controversy at thefilm Baftasover the broadcasting of a racial slur, the last thing the BBC needed was another flashpoint at the television awards. All involved can rest easy because not only was the ceremony lacking in contentious moments – for long stretches it seemed to be missing a pulse altogether.

The Telegraph Taskmaster's Greg Davies hosted the awards

Taskmaster’s Greg Davies was the new host, taking over from Alan Cumming, who has vowed to never again helm the Baftas following the fall-out over the film awards (which he also presented). Davies was off to a respectable start with a funny pre-recorded sketch in which he introduced an eye-rolling teenager to the joys of British television down the decades – the elephant pooing on Blue Peter, people shouting at each other onEastEndersand so forth.

But it was a different story once he stepped on stage for the live broadcast (not actually live, of course – the BBC was airing it with a delay and with new protocols to ensure there was no repeat of the shambles at the film Baftas). Nervous throughout, Davies had the air of someone happy to simply get through the evening. His jitteriness deprived the two-hour ceremony of the one essential for an awards show: a sense of fun.

Lucy Punch and Philippa Dunne of Amandaland, which won Best Scripted Comedy

Instead of fun, there was lots of silliness. Too much, it quickly became clear. Many of the celebrities dragged up to dole out awards had decided to seize the spotlight with less than hilarious results. Comic actresses Lucy Punch and Philippa Dunne seemed to be improvising a scene from their seriesAmandalandon the spot – to tepid guffaws from a generally stony room. Next camenew Harry Potteractor Paapa Essiedu, who thought it would be hilarious to refer to his co-star Nick Frost by the name of his Rowling-verse character, Hagrid – with a pay-off about as funny as a real-life game of Quidditch.

Hollywood glamourwas sprinkled courtesy ofSeverance’s Adam Scott and rapper-turned-actress Awkwafina, who turned up to present awards. They were mere warm-ups for Tinsel Town comedian Seth Rogen, who won Best International Show forThe Studioand approached the Bafta podium like someone who had tumbled through the back of a wardrobe into a parallel dimension.

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Adam Scott presents the Actor in a Comedy Award onstage during the 2026 BAFTA Television Awards

“This award show is so cool,” he said, before pointing to Davies, who was watching from a corner of the stage. “I love that this guy sits there in a little chair.” Rogen then gestured towards veteran actress Celia Imrie, whoseflatulence onThe Celebrity Traitorsprovided the evening with one of its running gags. “I assume this woman is very skilled and talented. All I know is she farted on a reality show.”

It was not the last time the Traitors was name-dropped. The Claudia Winkleman backstabbing festival was one of the evening’s duo of big winners (it scooped two awards). The other wasAdolescence, which continued the victory lap which it has seemingly been on since the invention of television itself.

The Celebrity Traitors won two awards

Ethereal pop star Aurora provided the evening with one of its emotive high points as she performed her haunting ballad,Through the Eyes of a Child– from the score to, yes,Adolescence. She was soundtracking an in memoriam section which marked the passing of Prunella Scales, Desmond Morris, James Van Der Beek and others – though there was no mention ofSchitt’s CreekstarCatherine O’Hara, to whom Studio co-star Rogen had paid tribute.

The tone was often jarring. Amid all the wackiness and bantering, rapper-turned-DIY expert Tinie Tempah was the rare award presenter to maintain a straight face – just as well as he was about to hand Simon Schama an accolade for a documentary about the Holocaust. Meanwhile, a skit in which news presenter Kirsty Wark was rude to Davies landed oddly – her “fake” annoyance containing flashes of genuine irritation.

Tellingly, many of the more serious awards were relegated to a highlights section. They included the current affairs category, which was won byGaza: Doctors Under Attack, broadcast by Channel 4 after the BBC declined to air it. “Given you dropped our film, will you drop us from the Bafta screening later tonight?”, wondered Ben de Pear, the founder of the production company that made the film. He got his answer – the comments were broadcast but during a montage that was over almost before it began.

The message repeated from the podium was that television has no rival when it comes to the shared viewing experience. It’s a fair point. How ironic that it was made during a titanically tepid ceremony that would have had many viewers reach for their phones and scrolling furiously.

Bafta TV awards 2026: A titanically tepid ceremony

After controversy at thefilm Baftasover the broadcasting of a racial slur, the last thing the BBC needed was another flashpoint at the ...
Turkish Airlines plane evacuated after smoke seen from landing gear in Nepal

By Gopal Sharma

Reuters

KATHMANDU, May 11 (Reuters) - A Turkish Airlines plane was evacuated after ‌smoke was observed from its landing ‌gear while it was taxiing after landing in ​Nepal's capital of Kathmandu, the airline said, forcing the closure of the airport for an hour.

The Civil Aviation Authority of Nepal (CAAN) ‌had earlier said ⁠a fire broke out in the right rear tyre of the ⁠Airbus A330, which was doused before the plane was towed to the taxiway.

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All 277 ​passengers and ​11 crew on ​board were evacuated ‌using the emergency exits, and nobody was injured, the aviation regulator and airline said.

"Technical inspections of the aircraft have been initiated by our teams. Initial assessments indicate that ‌the smoke was caused ​by a technical malfunction ​in a hydraulic ​pipe," Yahya Ustun, the airline's ‌senior vice president, communications, ​said on ​social media platform X.

An additional flight has been planned for the return of ​the passengers, ‌he added.

(Reporting by Gopal Sharma; Writing ​by Sakshi Dayal; Editing by Clarence ​Fernandez and Jamie Freed)

Turkish Airlines plane evacuated after smoke seen from landing gear in Nepal

By Gopal Sharma KATHMANDU, May 11 (Reuters) - A Turkish Airlines plane was evacuated after ‌smoke was observed from its landing ‌...
Chris Rea interview: BBC cut me from Rugby Special while I was in cancer remission

“I would say they were the six of the happiest years of my working life.” The velvet voice is just as I remember it. Chris Rea may have spent the majority of his 82 years living in England, but the warmth of his Dundonian accent still resonates as it did four decades earlier when he was a regular fixture for rugby supporters – including me – across the country as presenter ofBBC’sRugby Specialprogramme.

The Telegraph Chris Rea, former Scotland and Lions centre, who used to present Rugby Special

They were the best of times. In the late 1980s and early 1990s, rugby union was edging slowly but inexorably towards professionalism but the players were still amateurs with rich life stories to tell. The programme captured those with intimacy and colour, while providing highlights of the best of the club game and the international stage and offered a platform to debate major talking points.

Even now, hearing the first few bars of the show’s theme tune (quiz night answer, it wasHoly Mackerelby the Shadows’ drummer, Brian Bennett) evokes memories of mud-soaked Sunday afternoons on the unmissable highlights show on BBC Two.

Rea, the former Headingley, Scotland andBritish and Irish Lionscentre, was at the heart of it, presenting the show in its heyday years between 1988 and 1994. He remembers it all like it was yesterday.

“We were opposite theAntiques Roadshow[on BBC One] and followedSki Sunday,” Rea recalls, with a chuckle, from his home in a village near Newmarket. “It was a wonderful time. I am so chuffed you remember it because it’s very tempting to believe that none of the current generation of players think that rugby existed before 1995. It was great fun. In our day, the game was for the players... Now, of course, the game is about entertainment.”

Rea had found great joy himself as a player, winning 13 caps forScotland. He scored a try (which features on the classic video101 Best Tries) in what is regarded as one of the greatest games ever played in the old Five Nations: Wales’ 19-18 victory at Murrayfield played in front of an estimated crowd of 90,000.

In the final round of the championship, he famously scored the last-gasp winning try in the 16-15 victory against England at Twickenham, their first in 33 years. Just a week later he starred in another victory over England, this time at Murrayfield in the centenary match to mark the first match between the two sides, at Raeburn in 1871.

Later that year Rea, whose middle names are “William Wallace”, was selected for the Lions’ historic tour of New Zealand, making 10 appearances and scoring three tries against provincial sides, with the Test side clinching the series 2-1.

Lions’ tours in those days lasted four months, and when he returned Rea, who was then working for the BBC as an administrator in Leeds – where he had played for Headingley alongside the then England captain John Spencer and Sir Ian McGeechan – retired from the game.

Chris Rea for the British and Irish Lions in 1971

He was posted to London and offered a six-month attachment to the BBC Radio sports department. The six months lasted nine years. Seeking new challenges in the media, Rea was appointed rugby and golf correspondent ofThe Scotsmanin Edinburgh but Johnnie Watherston, brother of former Scotland flanker Rory, was appointed to head up the BBC’s director and producer of rugby programmes, approached him to start doing some interviews forRugby Special,he had no hesitation in accepting. It would prove a life-changing moment, but one that ultimately ended in difficult circumstances.

“At the time, Nigel Starmer-Smith was having to do everything – he was interviewing people, he was doing the presentation from places like the ladies’ toilet at Orrell, and it was all done on a Saturday night. At the timeRugby Specialwas probably the graveyard shift, if you were working on it, you probably knew you were not going to become the BBC’s director general.

“Then Johnnie Watherston was appointed and he asked me if I would do a few interviews. One thing led to another and he asked if I would think of presenting the programme. I told him nothing would give me greater pleasure but that I won’t be doing it on a freezing Saturday night outside the clubhouse at Orrell or Harlequins or wherever, and stitching things together. Johnnie did a tremendous job persuading Jonathan Martin, who was the head of sport, that if we were going to build this programme up, it had to be studio-based, with guests, news from overseas and it had to be presented the following day.

“We had a fantastic producer called Sue Roberts who came up with brilliant ideas and features, and the programme was transformed from something pretty basic, and the audience figures started to go up and up and up.”

Chris Rea presenting Rugby Special

Rea recalls taking a call from the late Malcolm Pearce, the former newspaper wholesaler and farmer who was the benefactor that helped establish the great Bath side of the 1980s and 1990s.

“Malcolm was the start of the great Bath sides and would give players like Mike Catt and Gareth Chilcott genuine jobs and built up the team,” Rea added. “He phoned me up one day and said ‘Chris, I have got a young lad here who is definitely going to go to rugby league because he is a bricklayer at the moment. But we would love to keep him at Bath and wondered if you might be able to do something on him. His name is Jeremy Guscott.’

“I asked what his interests were and Malcolm said he was a very good-looking guy and he loved clothes. I took it to Johnnie, and he came up with the idea of bringing in the people who producedThe Clothes Showand giving Guscott a big make-over. It was hilarious. Malcolm had said that Guscott was “very shy” – how things change – so he decided to get Chilcott, who was most definitely not shy, to drive him up, and be his minder. It was like something out of the showStars in Your Eyeswhen the guests would say ‘Tonight Matthew, I am going to be…’ Guscott went off and came back a changed man, preening in this gorgeous outfit. It was one of the funniest and most successful programmes.

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“Another memorable feature took us to St Andrew’s University to do a feature with Damian Hopley, who was studying there, and Neil Back, who was an incredible athlete. Back had been told at the time that he was too small for top international honours, but his argument that extra weight would adversely affect his speed and ball-playing skills, which he expressed forcefully on the programme, won the day. They were great days.

“The days when the game was for the players, not the spectators. When Jonathan Webb, the England full-back, who had a shocker against France at Twickenham, was given a hero’s ovation at Cardiff the next week after it was revealed that he had been performing a surgical operation and had not slept for 36 hours before the French game. The players were amateurs and it was accepted that theyhad other things that occupied their lives.”

TheRugby Specialaudiences soared. When Cornwall defeated Yorkshire in the county championship in 1991, Rea says the audience forRugby Specialthe following day hit two million viewers – from a low-point of 200,000 before the overhaul – and when England beat New Zealand at Twickenham in 1993, it reached 2.2 million.

Yet by far the greatest achievement of all is the fact that for a full year of broadcasting, Rea was secretly undergoing cancer treatment having been diagnosed with bowel, liver and lymph node cancer, having been told in 1993 that he only had a five per cent survival chance within the next five years if the surgery was not successful.

“Thirty-three years ago, that was a death sentence,” he recalls. “I am only here because of a specialist bowel colorectal surgeon called Alan Wells. I underwent surgery in the Fitzwilliam Hospital in Peterborough. I had to go privately to get a certain type of chemotherapy treatment that had just come from the US and was successfully trialled there.”

Instead of a short course of chemo, his treatment lasted 52 weeks. “I said I would do it if I could keep going with the programme,” he added. “They said I wouldn’t lose what hair I had left but would put on weight. We came to an agreement that if there was any change to my physical state, then I would be the first to say, ‘this is not on.’ You can’t have someone looking like death warmed up presenting a sports programme.

“I felt dreadful every Monday and for a couple days after but by the end of the week I was okay. I put weight on because of the effect of the steroids, but nobody would have known, and that was a source of great pride.”

His treatment was ongoing when he travelled to New Zealand in 1993 for the Lions tour, which back then involved covering 13 matches over three months.

“I went off with a suitcase full of drugs and I remember thinking, ‘How am I going to work this?’ The staff at the Fitzwilliam told me that whatever town I arrived in, I had to contact the nearest hospital. I remember my first one, sitting in a pretty basic waiting room and being greeted by a trainee nurse. At the Fitzwilliam, I was treated as a star patient because no-one had ever been through the 52-week treatment. Apparently they had been using the treatment for years in New Zealand. I was staggered.”

Earlier that year Bobby Moore died of a similar condition, and even now Rea thinks about how lucky he was to survive. “I remember thinking I should have been more grateful to the Almighty, but I had an 11-year-old daughter and a family to look after, so I had to keep working.”

The elation of going into remission, however, was later replaced with the acute disappointment when he was told the following year that the production ofRugby Specialwas going to be outsourced to an independent company and that his services would no longer be required.

“I was devastated. Johnnie lost his job too. I hadn’t sought any additional support from the BBC during my illness. It was a real blow for me. I was sorry thatRugby Specialdid go downhill a bit and they took it a different way. That’s fine, you always get to the end of a success story and things need changing, but I think it was the BBC that lost interest in rugby more than anything else. It was also a result and a consequence of professionalism.”

After losing his presenting job with the BBC, he was part of ITV’s commentary team at the 1995 World Cup in South Africa, which he ranks along with England’s victory in 2003 as the two best tournaments. As rugby correspondent forThe Independent on Sunday, he also was not afraid to make a stand in the early days of professionalism, putting him at odds with the club owners by advocating former RFU chairman Chris Brittle’s unsuccessful vision for the top players in England to be offered central contracts by the RFU. He feels England are still paying the price now.

“I think that despite the fantastic resources in playing numbers and funding, I would very much doubt if England would have one player in a composite Six Nations side this season and that is terrible, really,” added Rea, who went on to work for the International Rugby Board [now World Rugby] as it head of communications.

“I say that not because I am a Scot, far from it because I have spent most of my life down here and enjoyed England’s three great sides – Billy Beaumont’s, Will Carling’s and the 2003 World Cup side. At the time Fran Cotton and Clive Woodward were fully supportive of the Brittle plan because they realised that going down the club route was always going to be a problem.

“The idea was that the clubs would retain their identity and support, but that the top players would be to the RFU and the primacy of the international game was paramount. In my view that hasn’t changed. Every time England take the field, they should be favourites, like New Zealand. They should have an aura about them. I think it is vital for the world game that England – and I say this as a Scot – are always up there. Just getting to finals is not enough. The 2003 final was compelling. It was wonderful but they have never really regained that aura of invincibility.”

Chris Rea interview: BBC cut me from Rugby Special while I was in cancer remission

“I would say they were the six of the happiest years of my working life.” The velvet voice is just as I remember it. Chris Rea may have...
Nomade sculpture returns to Des Moines after monthslong restoration

One of Des Moines most beloved landmarks has returned.

USA TODAY

On May 5, crews started reassembling Nomade at the John and Mary Pappajohn Sculpture Park in downtown Des Moines. One of the park's most photographed and admired sculptures, it has beenabsent from the park since October2025, when it was removed for conservation work.

Nomade, a crouching human form composed of painted stainless‑steel letters from the Latin alphabet, has been at the Pappajohn Sculpture Park since it opened in September 2009. Spanish artist Jaume Plensa created the 27‑foot‑tall sculpture.

Here's what to know about the return of the Nomade.

What renovations were done to the Nomade?

A team of members from the Des Moines Art Center, professional conservators and Des Moines company specializing in metalwork removed the sculpture from the park and disassembled it bolt by bolt, according to aMay 5 news release.

Afterward, they conducted a thorough inspection, which included 100 hours of sandblasting and meticulous repainting of each surface before reassembling the work.

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There will be a ribbon‑cutting to celebrate Nomade’s return on Wednesday, May 20, at 11:30 a.m. Remarks from Des Moines Art Center staff begin at noon, followed by free guided tours, refreshments and a picnic in the park. Thursday, May 21, is the backup date if weather does not cooperate.

Are more renovations coming to sculptures at the Pappajohn Sculpture Park?

Conservation work on Nomade was the first of a series of conservation efforts happening over the next three years, Amy Day, the senior director of communications and marketing at the Des Moines Art Center, told the Register in 2025.

The Register reported in October 2025 that the Des Moines Art Center received a $113,000 Legacy Grant from Prairie Meadows to preserve Nomade and upgrade the park's security and accessibility. The organization also received $50,000 from The Fred Maytag Family Foundation and launched a $500,000 "Friends of the Pappajohn Sculpture Park" campaign, a multi‑year fundraising effort to protect sculptures across the park and improve security and accessibility, the news release said.

"Thanks to Prairie Meadows' leadership and commitment, we can ensure this beloved space remains welcoming and inspiring for generations to come," Dr. Kelly Baum, John and Mary Pappajohn Director and Chief Executive Officer of the Des Moines Art Center, said in the news release.

Cooper Worth is a service/trending reporter for the Des Moines Register. Reach him at cworth@gannett.com or follow him on X @CooperAWorth.

This article originally appeared on Des Moines Register:Nomade returns to Des Moines sculpture park after monthslong repairs

Nomade sculpture returns to Des Moines after monthslong restoration

One of Des Moines most beloved landmarks has returned. On May 5, crews started reassembling Nomade at the John and Mary Pappajohn...
Chaka Khan Dishes on Friendship with 'Brilliant' Sia and How She Became the Singer's 'Godmother' (Exclusive)

Chaka Khan and Sia collaborated on the dance-pop single "Chakzilla," the first release from the "I'm Every Woman" singer's upcoming album

People Chaka Khan and Sia in November 2023Credit: Michael Loccisano/WireImage

NEED TO KNOW

  • Khan tells PEOPLE about how she became Sia's godmother

  • "Chaka is the Godzilla of chanteuses alive," Sia tells PEOPLE in a statement

Friendship looks good onChaka KhanandSia.

The Rock & Roll Hall of Fame member's new single "Chakzilla" is out now, and the dance-pop track was written with Sia, who also provides backing vocals, marking their latest collaboration after years of knowing one another.

"The moment we met, we felt like we knew each other forever," Khan, 73, tells PEOPLE of the "Chandelier" singer-songwriter, 50. "She's now my goddaughter. I'm a godmother."

How did Khan become Sia's godmother? "Quite naturally," she explains. "She asked me to be her godmother. I said, 'Absolutely.' Simple as that."

The two artists previously performed "I'm Every Woman" together when Khan was inducted into the Rock & Roll Hall of Fame in 2023, and they later collaborated on the song "Immortal Queen" from Sia's 2024 albumReasonable Woman.

"She's got a big, beautiful heart. And she's such a talent," says Khan of Sia. "She's so clever and so smart and a great singer, a great writer. I mean, she's almost perfection when it comes to art. She's brilliant."

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"Chakzilla" serves as the first single off Khan's upcoming album of the same name, which comes out on Friday, Sept. 18 after about "a year and a half" of making the project together with producer Greg Kurstin.

Sia tells PEOPLE in a statement, "Chaka is the Godzilla of chanteuses alive, and it was my honor to collaborate with her on this music!"

Chaka Khan

The "Cheap Thrills" artist came up with the title of "Chakzilla," according to Khan. "I would've never thought of that," she says. "[Sia is] clever. She comes up with lots of ideas."

In the song's music video, Khan portrays a Godzilla-like "monster of a person" who rebuilds society instead of destroying it. She was inspired to embody the altruistic character "because that's closer to what I am," she says. "I tried to make it true to who I am and what I'm about."

Chakzillawill mark Khan's first new album since 2019'sHello Happiness. "It's a really, really great album, a great CD with great songs. It's going to be on the pop dance side," she explains. "We've got lots of great people collaborating as well."

Read the original article onPeople

Chaka Khan Dishes on Friendship with 'Brilliant' Sia and How She Became the Singer's 'Godmother' (Exclusive)

Chaka Khan and Sia collaborated on the dance-pop single "Chakzilla," the first release from the "I'm Every Woman...
Here's What the Judges Are Performing at the Season 24 “American Idol” Finale (Exclusive)

The season 24 finale will feature performances by judges Carrie Underwood, Luke Bryan and Lionel Richie

People Lionel Richie, Carrie Underwood and Luke Bryan on 'American Idol'Credit: Disney/Eric McCandless

NEED TO KNOW

  • Alicia Keys will serve as the guest mentor and performer alongside a star-studded lineup of musical guests

  • The finale will air on Monday, May 11

The season 24 finale ofAmerican Idolis officially stacked with exciting performances.

The episode, which will air on Monday, May 11, will feature performances by judgesCarrie Underwood,Luke BryanandLionel Richie, PEOPLE can exclusively reveal.

Bryan, 49, Richie, 76, and Underwood, 43, will perform "Deep River Woman" by Richie.

Bryan will take the stage solo to perform his new song "Fish Hunt Golf Drink" — and then again with finalist Julián Kalel to perform "A Thousand Miles from Nowhere" by Dwight Yoakam.

Underwood will also take the stage once more for an exciting performance withMötley Crüe.

Carrie Underwood and Motley CrueCredit: Ian Gavan/Getty;Chris Walter/WireImage

Idol previously announced its star-studded lineup of finale performers, includingBrad Paisley, Blues Traveler,Cameron Whitcomb,Clay Aiken, En Vogue, Gin Blossoms,Jason Mraz, Lee Ann Womack,Nelly,ShinedownandTori Kelly.

In addition,Alicia Keyswill serve as the guest mentor and performer.

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On May 4, contestants Chris Tungseth and Braden Rumfelt were sent home, leaving Hannah Harper, Jordan McCullough and Keyla Richardson as the Top 3 in the finale.

Elsewhere in the episode, which hosted a Class of 2006 Reunion, Paris Bennett,Kellie Pickler, Elliott Yamin, Bucky Covington and winnerTaylor Hicksreturned to the show to honor the 20th anniversary of their season.

The show also welcomed original judgesRandy JacksonandPaula Abdul. Both served as mentors for the Top 5 — and Abdul joined Underwood, Bryan and Richie as a guest judge.

"I'm just so happy to be at my old home and to see some of my children that are now grown and have kids, and meeting the new hopefuls," Abdul said, according toEntertainment Weekly. "I hope all of you have the best time ever and leave your heart out there."

Ahead of the finale, Underwood wasmoved to tearsby Harper's audition to an original song about postpartum depression. Meanwhile, Richardsonmoved guest judge Jennifer Hudson— in addition to the rest of the judges — when she performed "Circle of Life" on Disney night. On Taylor Swift night, McCullough was praised by Richie — who said he has the ability to turn everything he sings into "a religious experience."

The season 24 finale of the singing competition show will air on Monday, May 11 at 8 p.m. ET on ABC.

Read the original article onPeople

Here's What the Judges Are Performing at the Season 24 “American Idol” Finale (Exclusive)

The season 24 finale will feature performances by judges Carrie Underwood, Luke Bryan and Lionel Richie NEED TO KNOW ...

 

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